May 25, 2021
Today we celebrate a man who changed his personal beliefs and
life philosophy after studying nature.
We'll also learn about a woman who writes about her lifelong
relationship with the garden.
We hear an excerpt about the spring garden with a bit of empathy
for what it is like to be a weed.
We Grow That Garden Library™ with a fabulous reference for plant
identification.
And then we’ll wrap things up with the son of a gardener who grew
to love plants and nature and became one of America’s best-loved
poets.
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Important Events
May 25, 1803
Today is the birthday of the American transcendentalist, essayist,
philosopher, and poet Ralph Waldo Emerson.
Ralph Waldo Emerson was a son of Boston.
By the time he finished his schooling at Harvard, he had decided to
go by his middle name, Waldo. He was his class poet, and he wrote
an original poem for his graduation. Six years later, on Christmas
Day, he would meet his first wife, Ellen. Two years later, he lost
her to tuberculosis. Her death eventually made him a wealthy man —
although he had to sue his inlaws to acquire the inheritance.
Deeply grieved after losing Ellen, Waldo eventually traveled to
Europe, where he visited the Royal Botanical Garden in Paris. The
experience was a revelation to him. At the Paris Garden, Waldo sees
plants organized according to Jussieu's system of classification.
Suddenly he can see connections between different species. The
American historian and biographer. Robert D. Richardson wrote,
"Emerson's moment of insight into the interconnectedness of
things in the Jardin des Plantes was a moment of almost visionary
intensity that pointed him away from theology and toward
science".
Upon his return to the states, Waldo befriended other forward
thinkers and writers of his time: William Wordsworth, Samuel Taylor
Coleridge, and Thomas Carlyle.
In 1835, Waldo married his second wife, Lydia Jackson. Waldo
changed her name from Lydia to Lidian, and he calls her by other
names like Queenie and Asia. She always calls him “Mr.
Emerson.”
Around this time, Waldo began to think differently about the world
and his perspective on life. Waldo was also the son of a minister,
which makes his move away from religion and societal beliefs all
the more impressive. By 1836, Waldo published his philosophy of
transcendentalism in an essay he titled "Nature." He wrote:
"Nature is a language and every new fact one learns is a new
word; but it is not a language taken to pieces and dead in the
dictionary, but the language put together into a most significant
and universal sense. I wish to learn this language, not that I may
know a new grammar, but that I may read the great book that is
written in that tongue."
The next year, Waldo gave a speech called "The American Scholar."
It so moved Oliver Wendell Holmes Sr. that he called Waldo’s
oration text America's "intellectual Declaration of
Independence."
After his Nature essay, Waldo befriended Henry David Thoreau.
In late September of 1838, the Salem Massachusetts Unitarian
minister and American botanist John Lewis Russell visited Waldo,
and they spent some time botanizing together. Waldo wrote about the
visit in his journal:
"A good woodland day or two with John Lewis Russell who came
here, & showed me mushrooms, lichens, & mosses. A man in whose mind
things stand in the order of cause & effect & not in the order of a
shop or even of a cabinet."
In 1855, when Walt Whitman published his Leaves of Grass, he sent a
copy to Emerson. Waldo sent Whitman a five-page letter of praise.
With Emerson’s support, Whitman issues a second edition that,
unbeknownst to Waldo, quoted a passage from his letter that was
printed in gold leaf on the cover, "I Greet You at the Beginning of
a Great Career." Waldo was displeased by this; he had wanted the
letter to remain private.
In the twilight of his life, the man who once advised, “Adopt the
pace of nature: her secret is patience,” Ralph Waldo Emerson was
invited to join a group of nine intellectuals on a camping trip in
the Adirondacks. The goal was simple: to connect with nature. The
experience included Harvard’s naturalist Louis Agassiz, the great
botanist James Russell Lowell, and the American naturalist Jeffries
Wyman.
It was Ralph Waldo Emerson who wrote,
"The landscape belongs to the person who looks at it."
"Write it on your heart that every day is the best day in the
year."
And
“The Earth laughs in flowers.”
Finally, here’s a little prayer Waldo wrote - giving thanks for the
gifts of nature.
“For flowers that bloom about our feet;
For tender grass, so fresh, so sweet;
For song of bird, and hum of bee;
For all things fair we hear or see,
Father in heaven, we thank Thee!”
May 25, 1949
Today is the birthday of the Antiguan-American novelist, essayist,
and short-story writer Jamaica Kincaid born Elaine Potter
Richardson.
Jamaica Kincaid is a gardener and popular garden writer. Her
book Among
Flowers: A Walk in the Himalaya offers many
wonderful excerpts.
And here, she discusses the dreams of gardeners - and how they form
from our desire and curiosity. She writes,
“Something that never escapes me as I putter about the garden,
physically and mentally: desire and curiosity inform the inevitable
boundaries of the garden, and boundaries, especially when they are
an outgrowth of something as profound as the garden with all its
holy restrictions and admonitions, must be violated.”
Jamaica’s book My
Garden offers an intimate look
at her relationship with her garden.
She writes,
"I shall never have the garden I have in my mind, but that for
me is the joy of it; certain things can never be realized and so
all the more reason to attempt them."
Here she talks about time and the destruction of a garden:
“In a way, a garden is the most useless of creations, the most
slippery of creations: it is not like a painting or a piece of
sculpture—it won’t accrue value as time goes on. Time is its enemy’
time passing is merely the countdown for the parting between garden
and gardener.”
"The garden has taught me to live, to appreciate the times when
things are fallow and when they're not."
She also wrote,
“I love planting. I love digging holes, putting plants in,
tapping them in. And I love weeding, but I don’t like tidying up
the garden afterwards.”
During the pandemic in August of 2020, Jamaica wrote an essay for
the New Yorker called, The
Disturbances of the Garden.
She wrote about learning to garden from her mother:
“My mother was a gardener, and in her garden it was as if
Vertumnus and Pomona had become one: she would find something
growing in the wilds of her native island (Dominica) or the island
on which she lived and gave birth to me (Antigua), and if it
pleased her, or if it was in fruit and the taste of the fruit
delighted her, she took a cutting of it (really she just broke off
a shoot with her bare hands) or the seed (separating it from its
pulpy substance and collecting it in her beautiful pink mouth) and
brought it into her own garden and tended to it in a careless,
everyday way, as if it were in the wild forest, or in the garden of
a regal palace. The woods: The garden. For her, the wild and the
cultivated were equal and yet separate, together and
apart.”
Later she writes about her own relationship with the garden.
“But where is the garden and where am I in it? This memory of
growing things, anything, outside not inside, remained in my
memory…
in New York City in particular, I planted: marigolds,
portulaca, herbs for cooking, petunias, and other things that were
familiar to me, all reminding me of my mother, the place I came
from. Those first plants were in pots and lived on the roof of a
diner that served only breakfast and lunch, in a dilapidated
building at 284 Hudson Street, whose ownership was uncertain, which
is the fate of us all. Ownership of ourselves and of the ground on
which we walk, ...and ownership of the vegetable kingdom are all
uncertain, too. Nevertheless, in the garden, we perform the act of
possessing. To name is to possess…”
“I began to refer to plants by their Latin names, and this so
irritated my editor at this magazine (Veronica Geng) that she made
me promise that I would never learn the Latin name of another
plant. I loved her very much, and so I promised that I would never
do such a thing, but I did continue to learn the Latin names of
plants and never told her. Betrayal, another feature of any
garden.”
Unearthed Words
After Nicholas hung up the phone, he watched his mother carry
buckets and garden tools across the couch grass toward a bed that
would, come spring, be brightly ablaze as tropical coral with
colorful arctotis, impatiens, and petunias. Katherine dug with hard
chopping strokes, pulling out wandering jew and oxalis, tossing the
uprooted weeds into a black pot beside her.
The garden will be beautiful, he thought. But how do the weeds feel
about it? Sacrifices must be made.
― Stephen M. Irwin, Australian screenwriter, producer, and
novelist, The
Dead Path
Grow That Garden Library
Plant Identification Terminology by James G. Harrison
This book came out in 2001, and the subtitle is An
Illustrated Glossary.
Well, to me, this book is an oldie, but goodie; I first bought my
copy of this book back in 2013.
This book aims to help you understand the terms used in plant
identification, keys, and descriptions - and it also provides
definitions for almost 3,000 words.
Now, if you're looking to improve your grasp of plant
identification terminology, this book will be an invaluable
reference.
And just as a heads up. there are around 30 used copies that are
reasonably priced on Amazon. But of course, they're not going to
last forever, so if you're interested in this book, don't wait to
get a copy. (After those used copies are gone, then the next lowest
price is around $200.)
This book is 216 pages of exactly what it says it is: plant
identification, terminology - and I should mention that there are
also helpful illustrations.
You can get a copy of Plant Identification Terminology by
James G. Harrison and support the show using the Amazon Link
in today's Show Notes for around $12
Today’s Botanic Spark
Reviving the little botanic spark in your heart
May 25, 1908
Today is the birthday of the Michigan-born poet, gardener, and the
1954 Pulitzer Prize winner for poetry, Theodore Roethke
(“RETH-key”).
Ted wrote about nature and the American Northwest. He enjoyed
focusing on “the little things in life.”
His father was a gardener, a greenhouse grower, a rose-lover, and a
drinker. As a result, many of Ted’s pieces are about new life
springing from rot and decay. His best poem is often considered to
be “The Rose.” The poem reminded him of his father, and he could
barely speak the poem without crying.
Today, garden signs and social media posts quote Ted’s verse,
“Deep in their roots all flowers keep the light.”
Ted battled bipolar depression most of his life, and his darkness
can be seen in his poem called The Geranium.
When I put her out, once, by the garbage pail,
She looked so limp and bedraggled,
So foolish and trusting, like a sick poodle,
Or a wizened aster in late September,
I brought her back in again
For a new routine -
Vitamins, water, and whatever
Sustenance seemed sensible
At the time: she'd lived
So long on gin, bobbie pins, half-smoked cigars, dead beer,
Her shriveled petals falling
On the faded carpet, the stale
Steak grease stuck to her fuzzy leaves.
(Dried-out, she creaked like a tulip.)
The things she endured!-
The dumb dames shrieking half the night
Or the two of us, alone, both seedy,
Me breathing booze at her,
She leaning out of her pot toward the window.
Near the end, she seemed almost to hear me-
And that was scary-
So when that snuffling cretin of a maid
Threw her, pot and all, into the trash-can,I said nothing.
But I sacked the presumptuous hag the next week,
I was that lonely.
A sunnier and more tender poem was
called Transplanting. Ted wrote the poem from the
perspective of "a very small child: all interior drama; no comment;
no interpretation.”
Watching hands transplanting,
Turning and tamping,
Lifting the young plants with two fingers,
Sifting in a palm-full of fresh loam,--
One swift movement,--
Then plumping in the bunched roots,
A single twist of the thumbs, a tamping, and turning,
All in one, Quick on the wooden bench,
A shaking down, while the stem stays straight,
Once, twice, and a faint third thump,--
Into the flat-box, it goes,
Ready for the long days under the sloped glass:
The sun warming the fine loam,
The young horns winding and unwinding,
Creaking their thin spines,
The underleaves, the smallest buds
Breaking into nakedness,
The blossoms extending
Out into the sweet air,
The whole flower extending outward,
Stretching and reaching.
Theodore Roethke died in 1963.
He was visiting friends on Bainbridge Island. One afternoon he was
fixing mint juleps by the pool. The friends went to the main house
to get something. When they returned, three perfect mint juleps sat
on a table by the edge of the pool, and Ted was floating face down
in the water. He’d suffered a brain aneurysm.
After his death, the family honored their friend by filling in the
pool. They installed a beautiful zen garden in the pool's footprint
that is framed by conifers and features raked sand and a handful of
moss-covered stones. There is no plaque.
Today, we’ll end the podcast with Theodore’s ode to spring - called
Vernal Sentiment.
Though the crocuses poke up their heads in the usual places,
The frog scum appear on the pond with the same froth of green,
And boys moon at girls with last year's fatuous faces,
I never am bored, however familiar the scene.
When from under the barn the cat brings a similar litter,—
Two yellow and black, and one that looks in between,—
Though it all happened before, I cannot grow bitter:
I rejoice in the spring, as though no spring ever had been.
Thanks for listening to The Daily Gardener.
And remember:
"For a happy, healthy life, garden every day."