Jul 11, 2022
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Historical Events
1788 On this day, Horace Walpole wrote about
the powerful impact of rain on the garden.
He wrote,
My verdure begins to recover its bloom.. in this country,
nobody pays his debts like rain. It may destroy your flowers, but
you cannot complain of want of fruit; cherries, apples, walnuts,
are more exuberant than their leaves.
1893 Birth of Dorothy Thompson, American
journalist and radio broadcaster.
She is remembered as the First Lady of American Journalism.
In 1934, Dorothy was the first American journalist to be expelled
from Nazi Germany. In her final book, The Courage to Be
Happy (1957), she wrote:
I am inclined to think that the flowers we must love are those
we knew when we were very young, when our senses were most acute to
color into smell, and our natures most lyrical.
1933 Birth of Oliver Sacks, British
neurologist, naturalist, historian of science, and writer.
I once watched a video featuring Dr. Oliver Sacks, who practiced
medicine in NYC across from the New York Botanical Garden
(NYBG).
In the video, Oliver reflected on the garden and its meaning. I've
cobbled together a few of his inspiring thoughts. Here's what he
said:
I think of this garden as a treasure. First, it's a haven. In a
noisy, crowded New York, we need a haven; we wander around, and
time doesn't matter too much.
When I worked at the hospital opposite the garden, I used to
come in every day. Specifically, I would come in after seeing my
patients but before writing up my notes. And, I would walk around
the garden and put everything out of consciousness except the
plants and the air.
But, by the time I got back, the patient's story would have
crystallized in my mind [and then] I could then write it straight
away. But I needed this sort of incubation in the garden, and to go
for a walk in the garden; that sort of thing is an essential thing
for me in writing.
I think nature has a healing effect; the garden the closest one
can come to nature.
The garden has affected me and does affect me in various ways;
it's not just the pleasure of walking around but [also] the very
special virtues of the library and the museum and the fact that, in
some ways, this is a university as well as a garden.
I just feel very comfortable in the garden, and whenever people
come to New York from out of town or out of the country, I say
let's go to the garden. I would like to quote a couple of lines
from a TS Eliot poem:
Oh, do not ask, 'What is it?'
Let us go and make our visit.
In his book, The River of Consciousness, Oliver
wrote,
While most of the flowers in the garden had rich scents and
colors, we also had two magnolia trees, with huge but pale and
scentless flowers. The magnolia flowers, when ripe, would be
crawling with tiny insects, little beetles. Magnolias, my mother
explained, were among the most ancient of flowering plants and had
appeared nearly a hundred million years ago, at a time when
“modern” insects like bees had not yet evolved, so they had to rely
on a more ancient insect, a beetle, for pollination. Bees and
butterflies, flowers with colors and scents, were not preordained,
waiting in the wings—and they might never have appeared. They would
develop together, in infinitesimal stages, over millions of years.
The idea of a world without bees or butterflies, without scent or
color, affected me with a sense of awe.
2021 On this day, India's first cryptogamic
garden, with nearly fifty different species, is opened.
Cryptogams are non-seed-bearing plants. These primitive plants do
not reproduce through seeds, for example, algae, bryophytes (moss,
liverworts), lichens, ferns, fungi, etc.
The garden is located in the Deoban area of Dehradun in Uttarakhand
and is situated at 9000 feet and spread over three acres.
Grow That Garden Library™ Book Recommendation
Botany for the Artist by Sarah Simblet
("Sim-blit")
This book came out in 2020, and the subtitle is An
Inspirational Guide to Drawing Plants.
In this book, Sarah Simblet takes you on an inspirational journey
of creativity and botanical art as she demonstrates how to draw
virtually every type of plant.
As Sarah writes in the forward,
This book was inspired by my love of gardening, a desire to
know more about the structures, forms, and lives of plants,
and an opportunity to spend a whole year exploring wild
landscapes and the fabulous collections of the University of
Oxford Botanic Garden and Oxford University Herbaria.
These collections generously gave or lent me hundreds of
pieces of plants to draw or have photographed for this book.
Botany for the Artist features around 550 species, chosen to
represent almost every kind of plant and habitat on Earth.
Gorgeous, unfamiliar exotics are celebrated alongside more
common plants, to show the beauty and wonder of the
bird-of-paradise flower and the pavement milk thistle,
tropical forest fruits and the orchard apple, giant pine
cones, and tufts of city moss. Fungi, and some species of algae,
are not scientifically classified as plants, but are featured
here because they are
fabulous to draw and fascinating in themselves.
Then Sarah points out the exponential understanding of a plant that
occurs when you draw it. She wrote,
Drawing is a... direct and universal language, as old as
humankind.
If you spend just one hour drawing a plant, you will understand
it far better than if you spent the same hour only looking at
it. There is something in the physical act of drawing, the
coordination of the hand and eye, and the translation of
sensory experience into marks and lines that reveals
an entirely new way of seeing.
Artists know this, but it is something we can all experience
if we draw. And time spent drawing is a revelation,
regardless of the results.
Finally, Sarah's book is written in a very friendly tone. She
encourages artists to just get started and to use live specimens.
She wrote,
Books of advice, classes, and looking at the works of
other artists will help you greatly, but you can also learn
how to draw simply by doing it. The first step is to
simply have a go.
I always draw from real plants-never photographs -- because
plants are three dimensional and were once alive, even if they
are no longer. They are physically present, and can move,
change, and challenge the person drawing them. An artist's
relationship with their subject is always innately expressed
in their work...
Throughout this book, Sam Scott-Hunter's photographs reveal
subtle insights that could not be captured in drawing. They
also magnify many details so we can look very closely
Into them. I have drawn most plants life-size, for comparison,
and also to convey the excitement of giant-sized objects. This
diversity is just one characteristic of the vast kingdom of
plants that surrounds us all, and it is always there, just
outside our door, waiting to be explored.
This book is 256 pages of botanical drawings - from exotics to
mosses to towering trees. Join Sarah on an illustrated tour of the
plant kingdom and deepen your powers of botanical observation,
understanding, and appreciation.
You can get a copy of Botany for the Artist by Sarah
Simblet and support the show using the Amazon link in today's show
notes for around $18.
Botanic Spark
1824 Mary Russell Mitford writes to Benjamin
Robert Haydon to describe her garden:
My little garden is a perfect rosary - the greenest and most
blossomy nook that ever the sun shone upon. It is almost shut
in by buildings; one a long open shed, very pretty, a sort of
rural arcade where we sit. All and every part is
untrimmed, antique, weatherstained, and homely as can be
imagined - gratifying the eye by its exceeding
picturesqueness, and the mind by the certainty that no pictorial
effect was intended - that it owes all its charms to "rare
accident."
The previous day, Mary wrote to her dear friend, Emily Jephson
(July 10, 1824), and shared her thoughts on the garden as a form of
power and fulfillment for women. She wrote,
I am so glad you have a little demesne (dih-MAYN) of your
own too;
It is a pretty thing to be queen over roses and lilies, is it
not?
Thanks for listening to The Daily Gardener
And remember: For a happy, healthy life, garden every
day.